This one turned out alrightish, considering how long it took me to find a starting point. Leaving white space is not my strongest suit. The
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A base of wild boar, a dash of warthog, a sprinkling of blue parrotfish, and a salmony finish. Would make more sense for propulsion if
More smear from the pens than I’d like; probably should have let them dry better. Still gridded, but I went faster this time. Less perfecting
Definitely trying things I would not have attempted otherwise. Am missing my paint though. I pulled out the mini cutoff saw today and chopped the
The grid was useful for maintaining symmetry, but the clock method probably would have worked better. The grey fugegochi runs toward the soggy, lots of
The rosebud pommel isn’t exactly practical, but jambiyas are mostly ceremonial. A dagger had sprouted from the center of my aunt’s bones, a wickedly curved
Having issues with the wobble. The wrist rest is a pervasive habit and it’s proving difficult to break. I figured single-point perspective would be good
Excellent timing; that can was in my fridge for a week. Next time less lettering. The sound that issued from Mr. Simonon’s throat was not
Rather on the nose, but everyday is a lot and I’m sleepy but caught up once more.
This prompt reminded me of Dex the tea monk in Psalm for the Wild-Built. I thought about drawing the wagon, but I got rather caught
Dunn recommends trying reflections in Pen & Ink and the reference I found online reminded me of Escher. It’s…interesting. Blurred but high contrast and surprisingly
This prompt left me rather cold, so I leaned into the perfunctory and went with the back-to-back Hazel-Rah. Practice is practice. They were the sort